Although I had a schooling in traditional drawing and painting, it was only much later that I discovered textiles as an art form. Wow! The connection was immediate; I love the colour, the feel, the range, the texture, the flexibility and the capability one has as an artist to change and transform cloth and thread.
Over the years I have enjoyed learning and developing many textile art techniques including embroidery, machine-stitching, quilting, dyeing, printing, collaging, painting, felting, waxing, and combining textiles with other media. I am never going to be an artist who perfects, and sticks with, a single technique.. Instead I am a happy collector of many possibilities, each waiting to be selected and harnessed in pursuit of a particular project. If pushed, however, I describe myself as an embroiderer. It’s how I work most often.
Somewhere along the way I discovered a fascination with purses. I have an academic background in psychology and am a sucker for crime novels. The idea of imposing on myself a discipline relating to small compartments – miniature open and shut cases, a potential for mystery – appeals. There are at least two sides to everything; insides don’t always correspond with outsides. It’s a bit mad, but it keeps me happy and occupied.
So that’s what I now do. I am an oral historian and enjoy talking to people about their lives and work. I also enjoy reading and writing poetry, am a keen allotment grower and enjoyer of the natural world. All these interests offer fascinating subjects to portray. It’s just that I set myself the additional challenge of incorporating a purse or a frame or making items that hold and contain things: other items, ideas, inconsistencies, histories, etc.
I work too slowly and idiosyncratically to take on commissions but, where I can, I like to exhibit and my pieces are generally available for sale.